Where lies the boundary between the body and the machine? In an empty space, illuminated only with cold light, Geumhyung Jeong explores the potential of the human: the sensuality, power, and mutability of the body. In seven peculiar “duets” with mundane objects (ranging from household appliances to mannequins), Jeong  bestows a bizarre and disconcerting life to the inanimate through the interaction with her own body. Combining dance, puppetry, and a technical mastery of theatrical conventions, the result is a moving choreography of the body and mind, crossing the dividing line between the human and inhuman, hallucination and reality.